Chris Shalom

Waiting in line with 18 to Party

  18 to Party peaks early, which is one thing a party should avoid. Its opening shot is also its most memorable image: a slow truck across a tableau of

“Blackout”: Indie Hollywood

Indie filmmakers take one of two routes with no-budget features. They can do their own thing (Clerks, Buffalo 66, other defining films of the US indie explosion) or they can

As Lynchian As Ever

On DVDs of David Lynch movies, there are no chapter stops. Lynch refuses them. He sees his films as dreams, their impact emotional rather than argumentative. They should be experienced

No Expiration Date Yet

The godfather of Canadian hip hop is as fresh as ever. Maestro Fresh Wes’ album Orchestrated Noise, which he describes as a conceptual extension of his breakout album Symphony in

The Price is Wrong

At Any Price is boring, but that doesn’t count against it quite as much as you might think. Partway through its running time, the film’s affably conventional melodrama somehow achieves

Bastards is old news

Director Craig Scott Rosebraugh is clearly very aware of his film’s precarious position. On one hand, the film argues that doubts around global warming are so flagrantly opposed to scientific

Does Anyone Know the Score?

I admit it – I don’t get it. There’s a wonderful tone to David McFadden’s What’s the Score?, and it’s philosophically evocative, and some of its individual lines are striking.

Evil Dead is Horror Worth Remaking

Well, the buzz was 50,000 gallons of fake blood, and the surprise is that it’s well used. Even more strange, the buzz was a well-designed, not overly-derivative remake of a