The Arts Club production of Thornton Wilder’s The Matchmaker is a nostalgia piece, but at least it’s nostalgic for something good. The play’s wry one-liners crackle as much as ever,
I admit it – I was kinda ticked off when “Rap God” came out in advance of Eminem’s new album, The Marshall Mathers LP 2. The album’s first single, “Berzerk”,
Remember when this album was coming out in 2007? In a way, Event II arrives with a clean slate. Three years after Deltron 3030, the prospect of a second album
Indie filmmakers take one of two routes with no-budget features. They can do their own thing (Clerks, Buffalo 66, other defining films of the US indie explosion) or they can
If you don’t like Tech N9ne… well, you’re not alone. The Kansas City rapper tends to alienate some listeners with his dark tone, some with his aggressive Chopper style, and
On DVDs of David Lynch movies, there are no chapter stops. Lynch refuses them. He sees his films as dreams, their impact emotional rather than argumentative. They should be experienced
The godfather of Canadian hip hop is as fresh as ever. Maestro Fresh Wes’ album Orchestrated Noise, which he describes as a conceptual extension of his breakout album Symphony in
At Any Price is boring, but that doesn’t count against it quite as much as you might think. Partway through its running time, the film’s affably conventional melodrama somehow achieves
Director Craig Scott Rosebraugh is clearly very aware of his film’s precarious position. On one hand, the film argues that doubts around global warming are so flagrantly opposed to scientific
I admit it – I don’t get it. There’s a wonderful tone to David McFadden’s What’s the Score?, and it’s philosophically evocative, and some of its individual lines are striking.
Well, the buzz was 50,000 gallons of fake blood, and the surprise is that it’s well used. Even more strange, the buzz was a well-designed, not overly-derivative remake of a